Jennifer Essex works as a choreographer, director, and filmmaker on projects across the UK and internationally. Her film choreography for award winning visual artist Corin Sworn was shown at the Whitechapel Gallery as part of the Max Mara Art Prize for Women. She has developed movement for innovative projects including a stop-motion film for French fashion house Hermes, an interactive video with the award-winning team from Studio Murmur, and a “choreophonic prosthetic” with high tech designer Di Mainstone. Her work has been supported by the Canada Council for the Arts, Arts Council England, Dance City, Middlesbrough Council, Stockton International Riverside Festival, and Pavilion Dance. She is a 2015-2016 BENCH fellow. Jennifer has performed in the feature films Anna Karenina and Les Miserables and in adverts for Hermes and Honda as well as in works by world-renown choreographers including Sidi Larbi Cherkaoui, Liam Steel, and Luca Silvestrini.

Current research includes developing projects that use technology to develop inclusive and interactive experiences and exploring at how new technology affects social interactions. In her work REPLICAS she developed methods to send text messages in real time to audiences throughout the live performance to see how different mediums can convey separate sets of information and how these can provide emotional counterpoint to the action onstage. REPLICAS premiered at the Stockton International Riverside Festival and Middlesbrough Institute of Modern Art in the summer of 2016.

Jennifer is co-Artistic Director of Fully Booked Theatre, for whom whe created the interactive dance theatre work for children, Space Rebel Princess, through a commission from Dance City and Middlesbrough Council. The work has received support from Tees Valley Dance, Includ Fest, Spare Parts Festival, and Young Fest and toured across the UK.

In 2019 she recived and Arts Council England grant to develop Once Upon A Wall, with further commissioning support from Middlesbrough Council and Stockton International Riverside Festival. An inclusive, interactive work for chidlren and families it toured to festivals across the UK.

In 2020 Jennifer recieved funding from Arts Council England and Dance City to develop How Long Is a Piece Of String? a new interactive work which focuses on storytelling through sound and movement.  The work intergrates midi technology to create unique interactive sound expereinces for audieces. The work was selceted for the Rural Touring scheme and has also been performed at Alnwick Playhouse, Dance City, The Royal Opera House, and Theatre Hullabaloo (among others) 

Jennifer has a special interest in sound and music as they relate to the choreographic process. She was selected as one of four artists in residence at he National Choreographic Centre to explore collaborative process between choreographers and composers under the mentorship of Kim Brandstrup.

Jennifer has created a pilot programme of dance classes for people living with dementia which has been supported by Age UK Darlington and Tees Valley Dance. Jennifer was recently an artist in residence with Age Concern Central Lancashire where she worked in care homes with people living with dementia. The series of films developed through the project have now been screened at the Museum of Lancashire, as well as internationally in Athens, India, and in London at the Free Word Centre and Trip Space. She has spoken about the critical and theoretical aspects of arts in dementia care at the Annual General Meeting of Age UK Central Lancashire, at the Free Words Centre in London, Festival of Learning at Teesside University, Pint of Science, Lighting the Fuse: better engagement in public health through arts & media (Fuse, the Centre for Transnational Research in Public Health), and Older Persons Day at National Dance Agency, Dance City Well-Being Conference 2016, and as part of the Aging Well Festival in Torquay. She has worked with Helix Arts on their project for olders dancers: Falling on Your Feet. In response to the current COVID19 crisis she is developing online seated dance classes for older dancers with Ageing Better Middlesbrough. 

In 2023-24 She was a co-investigator for the AHRC funded project: Empowering children to shape the future of research on social inequality, health and wellbeing. She worked in partnership with Tees Valley Education Trust to co-design a programme of creative workshops for children aged 8-12 years living in areas of high multiple deprivation in the South Tees region in North-East England. 

She is currently working on the mass dance project HOME with Tees Dance with support from Borderlands and Arts Council England.

Empowering Children

Funding: AHRC

Researching benefits of dance for people living with dementia

Funding: Tees Valley Dance, Age Concern Central Lancashire

REPLICAS, interactive digital dancework

Funding: Arts Council England, Stockton International Riverside Festival, Dance City, Pavilion Dance. Middlesbrough Council

Space Rebel Princess, Interactive dance theatre work for children

Funding: Dance City, Middlesbrough Council, Includ Fest, Young Fest, Spare Parts Festival, Tees Valley Dance

BENCH Fellow 2015-2016

Once Upon a Wall, Interactive dance theatre wok for children and families

Funding: Arts Council England, Middlesbrough Council, Stockton International Riverside Festival

How Long is a Piece of String Interactive dance theatre work for children and families

Funding: Arts Council England, Dance City, The Royal Opera House

Artistic Director of Fully Booked Theatre, a company creating interactive dance theatre for children and families. www.fullybookedtheatre.com 

Performer with award-winning Tmesis Theatre, Liverpool, currently touring Beyond Belief http://tmesistheatre.com

Celebrating Age advisory panel