This chapter explores how contemporary visual art from ‘Islamic’ Pakistan has been exhibited in Britain in the years since 9/11, and asks to what extent those artworks’ potential meanings have been limited and stereotypical perspectives of Muslims and Pakistan replicated in the process.
|Title of host publication||Contesting Islamophobia |
|Subtitle of host publication||Anti-Muslim Prejudice in Media, Culture and Politics|
|Editors||Morey Peter, Yaqin Amina, Forte Alaya|
|Publisher||I B Tauris|
|Number of pages||19|
|Publication status||Published - 30 May 2019|
|Name||Library of Modern Religion|