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    McKeown’s Ghosts was produced in an international commemorative year that failed to explore to any degree the disabled legacy of WW1, bringing to the fore awareness of this forgotten narrative (Dodd et al, 2004)

    Uniquely using the mechanism of computer art and through research into impairment caused by WW1, McKeown challenged the singularity of global war commemoration culture with its customary focus on surviving heroes and the ‘glorious dead’ (Carden-Coyle, 2010). Acting as a researcher, creator, producer and artistic director, he delivered an intellectually coherent project utilising WW1 metrics (Tonkin, 2014).

    The final work is visually authentic, reflecting research into international battle dress, vehicles, locations and war activity of the period whilst addressing visual ableism (Garland-Thomson, 2010). Verisimilitude was ensured through McKeown’s study of precision motion capture acting (Hooks, 2003; Hodgins, 2010), which acknowledged impaired corporeal movement.  Aural accuracy to the period was achieved via the recording of a string quartet playing a composition by a disabled WW1 veteran, addressing the absence of composers from the WW1 canon (Kennedy, 2014). 

    McKeown was approached and commissioned by Arts Admin for Channel 4 and 14-18 NOW. Ghosts was broadcast on Channel 4 and its online platform 4OD. It additionally featured on the UK Government’s 14-18 NOW WW1 Centenary Commissions’ website, as well as at festivals, including Unlimited at the London South Bank Centre. An award winner in Canada and USA, Ghosts received plaudits on social media platforms and featured in Disability History Month.

    McKeown addresses a version of WW1 in which disability and impairment are absent and provides a new international and interdisciplinary benchmark for multiple disciplines including computer games (Elliott, 2013) and curatorial strategy (Ott, 2010; Dodd & Sandell, 2010) around conflict commemoration. This innovative computer graphic artwork brings knowledge of international impairment from WW1 to a broad and new public audience.

    In a series of short films produced by Artsadmin and Xenoki,  contemporary disabled artists present unorthodox, irreverent and unexpected takes on the legacies of war and disability in Britain today.

    Awards and screenings:

    Cinema Touching Disability awarded first place to Ghosts in 2016 and in 2017 it received runner up prize in the  Respect Human Rights Film Festival, Belfast.

    The commissioned series won an award for Performance under Ten Minutes at the Picture This film festival, Calgary, Canada in March 2015. The jury commented on the series, saying that it was:

    “An eclectic series exploring war from a point of view seldom seen in mainstream media ... informing and entertaining ... very powerful and engaging ... sound was amazing and visuals were powerful ... the spoken word component is moving and the images are striking”

    Ghosts was also shown at Southbank Centre’s Unlimited festival on 2 September 2014 and at the Athens Film Festival and the Adelaide Film Festival in 2015.

    Please see

    Ghosts can be viewed at

    The full series can be seen at

    Original languageEnglish
    Media of outputFilm
    Publication statusPublished - 2014


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