Abstract
Kim Kyung Ju’s Wikipedia page states that he was once considered a ‘classical’ poet, before becoming more concerned with performance poetry and theatre. The performance element of his poetry is evident in Crying For No Reason: repetition is frequent, and simple and evocative images are revisited and reimagined, so that the poems appear to be one long interconnected piece of work.
Original language | English |
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Journal | Sabotage Reviews |
Publication status | Published - 31 Dec 2017 |