Undoing business: revealing critical narratives in an edge-city business park through nature-based auto-photography

Abigail Schoneboom, Oliver Moss

Research output: Contribution to journalArticlepeer-review

Abstract

Business parks are a ubiquitous feature of city-edge development. They have attracted attention for their lack of sustainability, spurring interest in how they can be reconfigured or reimagined in the face of ecological collapse and social fragmentation. Inspired by calls to notice everyday practices at the city edge (Tzaninis et al. Citation2021. “Moving Urban Political Ecology Beyond the ‘Urbanization of Nature’.” Progress in Human Geography 45 (2): 229–252; Tsing Citation2015. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton: Princeton University Press; Gandy Citation2022a. “Ghosts and Monsters: Reconstructing Nature on the Site of the Berlin Wall.” Transactions of the Institute of British Geographers 47: 1120–1136.) and drawing on data from a participant-led photography exercise at a suburban business park in the north-east of England, this article explores how workers employed at businesses on the park engage with and value its natural assets. We set out from Tzaninis et al.’s (Citation2021) contention that the dominant framing of suburbia as ‘non-place’ or ‘no man’s land’ has the effect of denying the many intriguing practices unfolding at the city’s edge. Resonating with Tsing (Citation2015), we highlight the significance of everyday interaction with nature in an ecologically vulnerable landscape as a creative, open-ended and, potentially, hopeful process. Focused on denizens of the business park, our data draws attention to the possibilities and potentialities of more-than-human encounters, the feeling of tranquillity generated by green spaces, and the sense of freedom that derives from bodily movement in a natural setting. These open-ended practices are distinct from, and ‘other than’, the dominant way of doing business in the park. Such encounters, drawn out by auto-photography, foment a radical connectedness with nature through which a powerful sense of custodianship and responsibility can find expression.
Original languageEnglish
Pages (from-to)1-23
Number of pages13
JournalCity
DOIs
Publication statusPublished - 8 Jul 2024

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